This listing is for an antique photo album containing 38 tintypes. A good number of them are hand-colored. One tintype is about 2" by 1.75" and sits loosely in the album. The other tintypes appear to be the "gem" size and most of them are accompanied by names written in pencil. There also appears to be a name written in pencil inside the front cover. The album is in good condition overall with some wear from age and use. It has spaces for more tintypes and the clasp still works. The loose tintype has a small sticker on the back with a price and a number on it. Please see the photos below to see everything that is included, and contact us with any questions before bidding. We have a low opening bid and no reserve price so don't miss your chance to win!
Approximate dimensions of album: 3.5" x 3.5" x .75"
From Wikipedia:
"A tintype, also known as a melainotype or ferrotype, is a photograph made by creating a direct positive on a thin sheet of metal coated with a dark lacquer or enamel and used as the support for the photographic emulsion. Tintypes enjoyed their widest use during the 1860s and 1870s, but lesser use of the medium persisted into the early 20th century and it has been revived as a novelty in the 21st. Tintype portraits were at first usually made in a formal photographic studio, like daguerreotypes and other early types of photographs, but later they were most commonly made by photographers working in booths or the open air at fairs and carnivals, as well as by itinerant sidewalk photographers. Because the lacquered iron support (there is no actual tin used) was resilient and did not need drying, a tintype could be developed and fixed and handed to the customer only a few minutes after the picture had been taken. The tintype photograph saw more uses and captured a wider variety of settings and subjects than any other photographic type. It was introduced while the daguerreotype was still popular, though its primary competition would have been the ambrotype. The tintype saw the Civil War come and go, documenting the individual soldier and horrific battle scenes. It captured scenes from the Wild West, as it was easy to produce by itinerant photographers working out of covered wagons. It began losing artistic and commercial ground to higher quality albumen prints on paper in the mid-1860s, yet survived for well over another 40 years, living mostly as a carnival novelty. The tintype's immediate predecessor, the ambrotype, was done by the same process of using a sheet of glass as the support. The glass was either of a dark color or provided with a black backing so that, as with a tintype, the underexposed negative image in the emulsion appeared as a positive. Tintypes were sturdy and did not require mounting in a protective hard case like ambrotypes and daguerreotypes."